esther (five)
the greatest risk is not taking one.
i will go to the king.
i will make him want me.
i will make him want to have me.
flattery will get me everywhere.
sweet seduction and strong scepters.
come, king, come. come to my banquet.
let me honor you.
let us drink together.
bring your royal robes and your right hand man.
wear your best so we can drink the best.
let us laugh and celebrate and know the world is upside up.
we'll have purple and gold and white and wine.
we'll know that all is well.
(WHERE IS GOD IN ALL OF THIS?)
keep your mask on. the charade, the circus,
the show must go on.
...
still, the jew will not bow to honorable haman.
still haman grows green and gruesome.
the power goes to your head,
the jealousy goes for the jugular.
what to do, what to do, what to do?
if he will not lower himmself, dear haman,
then raise him up high, high, high.
put him on a stick, on a beam, on a gallows.
hang him high, for all to see what befalls the proud.
hang him, haman!
a note here about the book of esther. God's absence (at least in name) in the book is one of the most fascinating aspects to me. i focused on that both in the collages (i offer no standard images or symbols for God), and in the poetry, where i borrowed heavily from a character in Elie Wiesel's The Trial of God. The character is called Mendel, and throughout the drama he asks the question, "where is God in all of this?" i love that question because it is true for esther and it is true for our lives. Mendel constantly calls me back into that reality. other circumstances distract us, but God is ever present, even in a topsy-turvy world, and it is good and right for us to stop and consider that. even when it seems like God is nowhere to be found, it pays to ask, "and where is God in all of this?"










